The University of Arizona College of Fine Arts
Achievement Awards 2022
Creative Achievement Awards
Emily Kray
Graduate
As an artist, Emily Kray (they/them/he/him) has exhibited strong technical and conceptual approaches that have produced works responding to loss, memory, nostalgia, and mortality. This is work that speaks to real universal human experiences and on a much more personal level, it has spoken directly to me. It is thought-provoking work that has forced me to slow down and acknowledge my own existence. It is a much-needed confrontation that helps me recognize that I am here now, but won’t be for long and it is the relationships that we build, the memories we helped create, and the tangible remnants of our lives that will echo beyond us. Emily’s work is a reminder to all, that we are responsible for or own legacies and that the memories and nostalgia we encapsulate truly define us.
Emily’s craftsmanship and presentation speaks for itself. It’s innovative and profound and it’s this type of artistic excellence that has led them to win awards, such as the Southern Arizona Watercolor Guild Scholarship, Medici Grant, and most recently the Centennial Achievement Award.
Read Emily's Full Recommendation Letter
My name is Alejandro Macias and I currently hold the rank of Assistant Professor (2D) at The University of Arizona School of Art.
I am writing to you, with great confidence, a letter of nomination for Emily Kray (they/them/he/him) for the Creative Achievement Award.
I have had the pleasure of having Emily as an MFA graduate student and a mentee at the School of Art Graduate Program. Through their course work and as their present thesis committee chair, I have witnessed Emily’s brilliance as a student and artist deeply committed to their artistic research and practice.
As their GTA mentor, I have seen evidence of Emily take command of their classroom and helped navigate undergraduate students find their own artistic path. They are a thoughtful, highly articulate, and passionate leader and it is without a doubt that their undergraduate students will remember this academic experience and guidance for years to come. Emily was also a crucial moving part of my Interdisciplinary Graduate Critique class and a receptive and critically constructive student whose presence heightened the experience of this class.
Emily’s graduate experience has been handled with surgical precision and their thesis committee includes faculty from areas within 3D extended media, photography, video, imaging, painting, drawing, printmaking, and game design. This type of thoughtful selection of faculty is evidence of their curiosity to expand their practice, knowledge, and voice. Their work is manifested and visualized through various media, such as cyanotypes, photography, found objects, realistic watercolor depictions, installation, book making, board games, and AI technology.
As an artist, Emily has exhibited strong technical and conceptual approaches that have produced works responding to loss, memory, nostalgia, and mortality. This is work that speaks to real universal human experiences and on a much more personal level, it has spoken directly to me. It is thought-provoking work that has forced me to slow down and acknowledge my own existence. It is a much-needed confrontation that helps me recognize that I am here now, but won’t be for long and it is the relationships that we build, the memories we helped create, and the tangible remnants of our lives that will echo beyond us. Emily’s work is a reminder to all, that we are responsible for or own legacies and that the memories and nostalgia we encapsulate truly define us.
Emily’s craftsmanship and presentation speaks for itself. It’s innovative and profound and it’s this type of artistic excellence that has led them to win awards, such as the Southern Arizona Watercolor Guild Scholarship, Medici Grant, and most recently the Centennial Achievement Award.
I couldn’t be prouder of Emily and it’s their perseverance and resilience that has earned them this
award as well.
Sincerely
Alejandro Macias, MFA
Assistant Professor I School of Art
Quinn Standley
Undergraduate
In his complex and poignant artistic practice, Quinn Standley produces sophisticated photography, video and installation work that completely exceeds expectations at the undergraduate level. His philosophic-creative quests are forged in deep poetic entanglements of personal experience, science, the material world, and the materiality of media. Quinn’s ability to deal with the unknown, the uncanny, the abject, the sentient, and to do it poetically, denotes an extremely heightened sensibility and an elevated sense of aesthetics and critique. He creates introspective experiences and engages viewers in unconventional ways of seeing, in his constant journey to identify and employ media and thought. These highly sensorial encounters present engaged philosophical reflections on topics such as our perceptions of reality and lived-experience, mental illness, and the roles of science and technology in contemporary society. The future of Quinn’s practice is bright. It might be precisely through a committed and responsible engagement with the contradictions and darkness that make us human, when our eyes adapt to the right sensitivity, that we will find light and complexity in knowledge that can propel us, our sensibilities, and our science. We continue to look forward to learning alongside Quinn.
Read Quinn's Full Recommendation Letter
The School of Art Photography, Video and Imaging Program (PVI) enthusiastically nominates Quinn Standley for the 2022 College of Fine Arts Creative Achievement Award. Quinn has distinguished himself as a leader in our program and an exceptionally dedicated learner with a cumulative GPA of 3.951, and was awarded the Andrew W. Eddowes Memorial Photography Scholarship for the 2022-2023 academic year. He is a CFA Dean’s List recipient of highest academic achievement every semester since he transferred to the University of Arizona from Seattle University. It is notable to everyone who works with Quinn that he is exceptionally well- prepared for class, has a highly productive engagement with thought and theory, and has strong writing, production, and conceptual skills. He often leads discussions in the classroom, being generous with everyone around him and providing unique perspectives and insight to assigned readings and artwork.
PVI faculty frequently and proudly note Quinn’s engagement and production. Professor Sama Alshaibi highlights his “intellectual curiosity, rigorous work ethic and high creative output”, applied to her hybrid arts and digital humanities course “Migration As Practice”. His participation in the course resulted in the production of videos and academic papers investigating the public spaces of Tucson, identity, and time. Alshaibi stresses his “capacity to turn thematic assignments into purposeful prompts for his specific practice”, demonstrated during the seminar, evidence of his agency and awareness as an artist and a researcher.
I worked with Quinn in “Documentary Practice”, “Introduction to Imaging”, “Artists’ Video”, and we are now doing an independent study focusing on an exploration of the subsequent levels of PVI’s new “Imaging” program, which were not offered in time for his graduation. I accepted Quinn’s proposal based on the high quality of work, dedication to course content, and his advanced understanding and engagement with new imaging technologies and practices, such as creative coding. This is strategic to the implementation of the “Imaging” program and aligned with Quinn’s ambitious goals for the continuation of his creative research and transition into graduate school in Fall 2023.
In his complex and poignant artistic practice, Quinn produces sophisticated photography, video and installation work that completely exceeds expectations at the undergraduate level. His philosophic-creative quests are forged in deep poetic entanglements of personal experience, science, the material world, and the materiality of media. Quinn’s ability to deal with the unknown, the uncanny, the abject, the sentient, and to do it poetically, denotes an extremely heightened sensibility and an elevated sense of aesthetics and critique. He creates introspective experiences and engages viewers in unconventional ways of seeing, in his constant journey to identify and employ media and thought. These highly sensorial encounters present engaged philosophical reflections on topics such as our perceptions of reality and lived-experience, mental illness, and the roles of science and technology in contemporary society. The future of Quinn’s practice is bright. It might be precisely through a committed and responsible engagement with the contradictions and darkness that make us human, when our eyes adapt to the right sensitivity, that we will find light and complexity in knowledge that can propel us, our sensibilities, and our science. We continue to look forward to learning alongside Quinn.
Sincerely,
Marcos Serafim
On behalf of the faculty of the Photography, Video and Imaging Program
School of Dance
Arianna Aquino
Graduate
Arianna Aquino has been an outstanding Graduate Student and has been an incredible asset to our program. As a leader in our School of Dance, she is creating a strong sense of community and building support for our students. Arianna was selected as a JustArts Fellow in the College of Fine Arts, where she will continue her work on creating curriculum, and leading our DEI Gatherings at the School of Dance. Arianna designed the DEI Dance Gatherings to develop community and unity within the School of Dance, designing a safe and empowering space where all feel acknowledged, included, and supported to be uninhibitedly and fully engaged throughout their time in the program. Arianna describes the foundation of Gatherings as the “coinciding of wholistic well-being and diversity, equity, and inclusion to become aware and caring people in our community with empathy and compassion toward one another. Both personal and artistic intentions are purposely set. Artistically we apply our time spent in reflection, DEI, and intention setting to our creative and collaborative processes, activities, and movement.”
Read Arianna's Full Recommendation Letter
I am writing to nominate Arianna Aquino for the Creative Achievement Award as a graduate student, emerging scholar, teacher, dancer, and student choreographer at UArizona School of Dance. As a faculty member at the School of Dance, I have had the privilege of working very closely with Arianna while advising her graduate studies.
Arianna has been an outstanding Graduate Student and has been an incredible asset to our program. As a leader in our School of Dance, she is creating a strong sense of community and building support for our students. Arianna was selected as a JustArts Fellow in the College of Fine Arts, where she will continue her work on creating curriculum, and leading our DEI Gatherings at the School of Dance. Arianna designed the DEI Dance Gatherings to develop community and unity within the School of Dance, designing a safe and empowering space where all feel acknowledged, included, and supported to be uninhibitedly and fully engaged throughout their time in the program. Arianna describes the foundation of Gatherings as the “coinciding of wholistic well-being and diversity, equity, and inclusion to become aware and caring people in our community with empathy and compassion toward one another. Both personal and artistic intentions are purposely set. Artistically we apply our time spent in reflection, DEI, and intention setting to our creative and collaborative processes, activities, and movement.”
Arianna will also be presenting her scholarly research on Diversity, Equity, and Inclusion Curriculum Development for Unification in Dance Education at National Dance Education Organization and Dance Studies Association nationally and internationally. At the Spanish Harlem Creative Movement Festival, she will be presenting her work MissED UNDERSTOOD, her piece exploring the stereotyping of gender and colorism versus the reality of the dancer’s experiences within those identity markers.
In addition to pursing her MFA at the School of Dance, Arianna was selected for the Inclusive Leadership Certification where she will continue to work on initiatives to develop and support leaders who will in-turn deepen awareness and build skills that promote equity-centered frameworks in their distinct academic and professional units. Arianna was also selected for the Certificate in College Teaching, where she is working on courses known for their enriching collegial atmosphere. Courses where learning about learner-centered theories and instructional strategies guide students’ development into reflective and effective professional educators.
The body of Arianna’s work is admirable, and I am proud to say Arianna Aquino is my student. I know if you were to choose Arianna Aquino for the Creative Achievement Award, she would be forever grateful.
Thank you,
Tamara Dyke Compton, Director of Graduate Studies School of Dance
Sasha Reist
Undergraduate
As a performer Sasha Reist has showcased her versatility throughout her time at the U of A and has been cast in numerous faculty and graduate works in the ballet, modern, AND jazz areas.
In addition to her dedication as a performer, Sasha has used her skills in film to collaborate with undergraduate and graduate students, faculty, and the community at large to create video work from Fall 2020-Fall 2022. Her work has been appreciated by all in the School of Dance and nationally recognized in many venues. She was recently the Resident and Administrative Intern for Earl Mosley Diversity of Dance Summer Intensive and Production Assistant and Second Cameraman with Dare to be Films this last Summer 2022. Her work entitled “Changement”, a documentary about the use of traditional gender roles in ballet premiered at the Loft Cinema in Fall 2021. In addition, she was nominated for a National Academy of Television Arts and Sciences Student Production Award and choreographed for the Jamaica Dance Festival in Jamaica Queens, New York in the Summer of 2022.
Read Sasha's Full Recommendation Letter
It is my pleasure to write a letter in support of Sasha Reist for the Fall 2022 Creative Achievement Award in the School of Dance. Sasha consistently stands out as an eager and open individual in the program, and has utilized her passion for dance, performance, and film to the fullest during her time here. Her progress as a dancer and choreographer has been tremendous during her time here! It has been an absolute pleasure to have her in class and rehearsals, and she has diligently applied constructive critique, is eager to learn and grow, and is a kind and confident person who is obviously supportive of her peers and committed to all of her many pursuits at the University of Arizona. In addition to Sasha’s BFA in Dance, she is pursuing a BA in Film and Television.
As a performer Sasha has showcased her versatility throughout her time at the U of A and has been cast in numerous faculty and graduate works in the ballet, modern, AND jazz areas.
In addition to her dedication as a performer, Sasha has used her skills in film to collaborate with undergraduate and graduate students, faculty, and the community at large to create video work from Fall 2020-Fall 2022. Her work has been appreciated by all in the School of Dance and nationally recognized in many venues. She was recently the Resident and Administrative Intern for Earl Mosley Diversity of Dance Summer Intensive and Production Assistant and Second Cameraman with Dare to be Films this last Summer 2022. Her work entitled “Changement”, a documentary about the use of traditional gender roles in ballet premiered at the Loft Cinema in Fall 2021. In addition, she was nominated for a National Academy of Television Arts and Sciences Student Production Award and choreographed for the Jamaica Dance Festival in Jamaica Queens, New York in the Summer of 2022.
I look forward to seeing what the future holds for such a bright, committed, and hard-working young woman truly deserving of the Creative Achievement Award in the School of Dance this year.
Sincerely,
Elizabeth George
Associate Professor and Undergraduate Advisor, School of Dance
Fred Fox School of Music
Diana Elizabeth Peralta Muñoz
Graduate
Diana Peralta is an exceptional student and performer. Her talent for performing and passion for teaching is a great example of the quality of students that we have at the FFSoM and she has well represented the school on the international stage.
An award of this caliber will only encourage her to keep perusing these important roles and to further bring the FFSoM to the international stage.
Read Diana's Full Recommendation Letter
It is with great pleasure that I nominate DMA student Diana Peralta for the fall 2022 CFA Creative Achievement Award. Ms. Peralta has been working with me as a GTA since Fall 2021. During this time she has demonstrated a real interest in teaching and performing, always jumping to the opportunity to demonstrate her voice to the class. This past summer, Ms. Peralta was able to participate in well-respected and important voice festivals and workshops in which she interpreted both classical and popular music.
In June 2022 she sang the leading role in the opera Carmen by Bizet with the orchestra in the VAO Bodrum Vocal Academy of Opera in Bodrum, Turkey. The festival also had concerts in important venues in the city, including an Opera Gala in the Bodrum Historical Castle, “Opera in the Garden” in the Karia Princess Hotel, and a concert in the Midtown Mall. The performance of Carmen took place at the Herodot Cultural Center.
July 2022 she performed at the Jerusalem Lyric Opera Studio. She participated in master classes and voice coaching with international figures of the Opera in the Jerusalem Academy of Music and Conservatory, She performed “French Arias and Art Song Concert”, and a Mexican Art Song “Mexican Polychromy” in the Harmony Cultural Center, downtown Jerusalem, as well as the role of Jezibaba from the opera Rusalka by A. Dvorák. As part of these opportunities and exposure, she was invited to apply for the leading role of Carmen by Bizet for the Jerusalem Opera Studio for summer 2023 as well as the Opera Competition.
This year besides her singing duties for the university opera, she will have her debut with the Arizona Opera as part of the Operatunity Project where she will be singing adaptations of Rossini’s and Massenet’s Cinderella.
Ms. Peralta is an exceptional student and performer. Her talent for performing and passion for teaching is a great example of the quality of students that we have at the FFSoM and she has well represented the school on the international stage.
An award of this caliber will only encourage her to keep perusing these important roles and to further bring the FFSoM to the international stage.
Dr. José Luis Puerta
Mallory Mahoney
Undergraduate
Mallory Mahoney has performed in the Arizona Wind Ensemble Arizona Symphony Orchestra as well as a bassoon and saxophone duo. She has also served as section leader of the low brass section of Arizona Pride and was a semifinalist at the 2021 Fred Fox School of Music President’s Competition. This past summer, Mallory dedicated her entire summer to honing her bassoon performance skills. She attended the Glickman-Popkin Bassoon camp as a scholarship recipient. There she played in masterclasses for Catherine Chen, principal bassoonist of the Milwaukee Symphony, and collaborated with other professionals in the field. A few weeks later, Mallory traveled to Bayview Michigan where she performed in a wind quintet as part of Bayview Music Festival’s chamber music institute. Mallory was invited to stay an extra week to perform in the musical where she coached a high school student and performed with Bayview Festival faculty.
Beyond her performance, Mallory has demonstrated an eye toward innovation and entrepreneurship. Last semester, Mallory’s capstone project for her careers in music course was organizing and planning a studio benefit concert. Her charity of choice was the University of Arizona Arboretum, home to the beloved turtle pond where she planned the 45 minute recital to take place. The concert was a success, engaging all of the studio and reaching regular music audiences and passerbys alike.
Read Mallory's Full Recommendation Letter
I am pleased to write this letter in support of Mallory Mahoney for the 2022 CFA Student Creative Achievement Award. Mallory is a senior music education and bassoon performance major. She has proven to be a self motivated student who has demonstrated creative scholarship and innovation and a deep passion for the arts. Her accolades prove she is a multifaceted student who will bring valuable insight as a leading performer and music educator to positively impact the future of the arts.
Mallory has performed in the Arizona Wind Ensemble Arizona Symphony Orchestra as well as a bassoon and saxophone duo. She has also served as section leader of the low brass section of Arizona Pride and was a semifinalist at the 2021 Fred Fox School of Music President’s Competition. This past summer, Mallory dedicated her entire summer to honing her bassoon performance skills. She attended the Glickman-Popkin Bassoon camp as a scholarship recipient. There she played in masterclasses for Catherine Chen, principal bassoonist of the Milwaukee Symphony, and collaborated with other professionals in the field. A few weeks later, Mallory traveled to Bayview Michigan where she performed in a wind quintet as part of Bayview Music Festival’s chamber music institute. Mallory was invited to stay an extra week to perform in the musical where she coached a high school student and performed with Bayview Festival faculty.
Beyond her performance, Mallory has demonstrated an eye toward innovation and entrepreneurship. Last semester, Mallory’s capstone project for her careers in music course was organizing and planning a studio benefit concert. Her charity of choice was the University of Arizona Arboretum, home to the beloved turtle pond where she planned the 45 minute recital to take place. The concert was a success, engaging all of the studio and reaching regular music audiences and passerbys alike.
Mallory is a natural leader motivated by a desire to improve and grow. She absorbs information quickly and thoroughly, applying what she learns to her playing and her teaching. Mallory continuously proves to be an asset to the Fred Fox School of Music with her camaraderie, enthusiastic spirit, and devotion to improve. I highly recommend Mallory for the CFA Student Creative Achievement Award.
If you have any further questions or concerns, please do not hesitate to contact me.
Sincerely,
Professor Marissa Olegario, M.M
Assistant Professor of Bassoon
School of Theatre, Film & Television
Lindsay McDonald
Graduate
Lindsay McDonald is an exceptional costume designer. She has great sensitivity to dramatic structure and is equally comfortable designing bold, flashy costumes for a musical as she is creating quiet, subtle costumes for an intimate play or film. No matter what kind of production, she considers the socioeconomic and cultural backgrounds and the individual circumstances of each character to form the basis of her designs. Especially when designing female characters, a sense of self and personal agency of the characters inform her design choices. In this way she creates layered and multi-faceted visual representations of each individual, and avoids stereotyping or sexist tropes in shows as varied as Chekov’s The Three Sisters to the musical Legally Blonde. Her sensitivity to the nuances of character and her understanding of dramatic style are some of her greatest strengths.
Read Lindsay's Full Recommendation Letter
The Design, Technology, and Management Faculty of the University of Arizona’s School of Theater, Film and Television are pleased to nominate MFA candidate Lindsay McDonald for the 2022 Graduate Creative Achievement Award.
Lindsay is an exceptional costume designer. She has great sensitivity to dramatic structure and is equally comfortable designing bold, flashy costumes for a musical as she is creating quiet, subtle costumes for an intimate play or film. No matter what kind of production, she considers the socioeconomic and cultural backgrounds and the individual circumstances of each character to form the basis of her designs. Especially when designing female characters, a sense of self and personal agency of the characters inform her design choices. In this way she creates layered and multi-faceted visual representations of each individual, and avoids stereotyping or sexist tropes in shows as varied as Chekov’s The Three Sisters to the musical Legally Blonde. Her sensitivity to the nuances of character and her understanding of dramatic style are some of her greatest strengths.
Lindsay is also extremely skilled in the practical aspects of designing for performance in areas such as budgeting, sourcing, scheduling, and creating paperwork to communicate clearly with the drapers, crafts artisans, and wardrobe staff who bring her designs to life. In addition to her design skills, Lindsay is also a talented draper and costume crafts artisan in her own right. She has produced costumes for the Los Angeles Opera, San Diego’s Old Globe Theater, The Center Theater Group, and for the Opening and Closing Ceremonies of the 2002 Olympics in Salt Lake City.
As a Graduate Teaching Assistant at the University of Arizona, Lindsay has had opportunities to teach in both formal and informal settings. She has taught the lab sections of TAR 116- Introduction to Costume Construction for five semesters, including assisting with two semesters that were taught entirely virtually due to the Covid pandemic. This is a freshman core course in the Theatre Program’s curriculum, and in the lab sections, students are learning fundamental hand and machine sewing construction skills. They then apply these skills to constructing costumes for the school of theater’s productions, and also complete a garment for themselves as a final project. Teaching beginning skills to a group of 10-15 students requires organization, the ability to explain processes with clarity, much patience and a good sense of humor. Lindsay is a very effective teacher in this situation, working with students with varying levels of experience and differing learning styles. She creates a positive learning environment that is focused and rigorous, but at the same time fun and engaging. The students in her labs consistently say they enjoyed having her as their instructor. She has also taught for Arizona Theater Company’s Summer on Stage high school program, and for the Arts Express educational theater company.
Lindsay McDonald is an exceptionally talented costume designer who has demonstrated professional success in the field, and has contributed greatly to the School of Theater, Film and Television’s costume design and production department. The Faculty of the Design, Technology and Management Area enthusiastically submit her nomination for the 2022 Graduate Creative Achievement Award, and thank you for your consideration.
Sincerely,
Richard W. Tuckett
Associate Professor, Costume Director
The University of Arizona School of Theater, Film and Television
Tatiana Hernandez
Undergraduate
Creatively, academically and personally, Tatiana Hernandez exemplifies the traits and accomplishments that mark her current work as excellent and indicate a high potential for future success. Tatiana is deserving of an award that recognizes her ability to create both fun and socially relevant stories across the disciplines of film and theatre. She has an incredibly bright future; we are fortunate to have her here at the UA for the time being. The TFTV faculty are happy and proud to nominate Tatiana for the Creative Achievement Award.
Read Tatiana's Full Recommendation Letter
On behalf of the faculty in School of Theatre, Film & Television, I am delighted to nominate Tatiana Hernandez for the 2022 Creative Achievement Award. Tatiana is a highly exceptional student; a double major with one foot in the Film & Television Bachelor of Fine Arts program and the other in the Theater Bachelor of Arts program. She holds a 4.0 GPA in both degrees! Very few students have made substantial artistic accomplishments at the highest level as both a major in film and in theatre, and as a First Generation college student, like Tatiana has. Moreover, Tatiana is a generous collaborator who approaches her creative activities joyfully and often playfully.
In my Fiction Production class, Tatiana and her classmate and collaborator Zack Richardson, demonstrated their comedic film directing and writing skills in Once A Pawn A Time. In the film, two roommates go to extreme lengths to beat each other at a game of chess, which neither knows how to play. Their film uses familiar film conventions, like the Western showdown, and a self-deprecating inner dialog of the main character, which take the comedy to ludicrously hilarious heights. Their actors, cast as opposite personalities, one smug and the other gullible, deliver memorable and endearing performances which are shaped by Tatiana’s skills in directing and editing. The pacing is tight and punctuates the comic timing of the performances.
Tatiana has become known as the post-production guru among her classmates. When nobody in the fiction class volunteered to edit the Magic Hour promotional trailer, Tatiana stepped in and cut the trailer in one sitting. Audio is even more her specialty; she’s interested in pursuing a career in sound. Over the course of the year she worked on 11 films as a production sound mixer and/or boom operator and she created the sound design on 4 senior thesis films. Her sound work was recognized with the Adobe Award for Excellence in Sound Design by the 2022 I DREAM IN WIDESCREEN jury, which included the Director of Film Festival Programming at SXSW.
Professor Jacob Bricca writes, “Tatiana was brave, generous, and absolutely tireless in her sound post-production work on the senior films. She overcame noisy tracks, missing files, and difficult deadlines to deliver professional-grade and highly creative work.”
Tatiana has impressed the faculty across the School. Dr. Jessica Maerz notes, “As a BA Theatre student, Tatiana brings significant gifts and talents to her work in the Theatre program. She has emerged as a natural leader in her BA student cohort in the Theatre area and has demonstrated her abilities in several capacities.”
Tatiana has performed in BA area productions, including the Next Performance Collective, which is the main production arm for the BA student training program. She recently served as a devisor and performer in our New Directions Festival, where her contributions were exceptionally valuable. She contributed to a devised piece about body image and the pressures women face from negative body image messages. Dr. Maerz adds, “She is an engaged learner and very creative thinker. She elevates the discourse and outcomes in every class she enrolls in.”
There is a story about Tatiana that defines her generous character. Last Fall a classmate of hers lost his entire documentary sound design created in ProTools when his hard drive crashed the night before it was due for the public screening. He had no backup thus, the sound mix had to be re-created from scratch in ProTools. Tatiana stayed up with him all night helping him to redesign his sound. She is indefatigable in her willingness to help others. Her good-natured temperament, characterized by her occasionally breaking out in laughter, song, or a hip hop dance move, surely raises the spirits of those she works with, even in or especially in, moments of creative crisis.
Creatively, academically and personally, Tatiana exemplifies the traits and accomplishments that mark her current work as excellent and indicate a high potential for future success. Tatiana is deserving of an award that recognizes her ability to create both fun and socially relevant stories across the disciplines of film and theatre. She has an incredibly bright future; we are fortunate to have her here at the UA for the time being. The TFTV faculty are happy and proud to nominate Tatiana for the Creative Achievement Award.
Sincerely,
Yuri Makino, Associate Director, Film & Television program
School of Theater, Film & Television
Congratulations!